Dialogue occasionally leans into regional slang and cultural specifics, grounding the story in its Hindi-speaking milieu. The film uses silence and implication effectively; some of the most powerful beats are wordless. In the early 2010s India, urban youth culture was rapidly evolving—greater disposable income, nightlife growth, and the rise of social media changed how pleasure was sought and displayed. FCBDST taps into anxieties about that transition: the erosion of traditional checks, the glamorization of risk, and the fragile infrastructures (legal, familial, social) that fail when things go wrong.
“Fun — Can Be Dangerous Sometimes” (FCBDST) is one of those independent Hindi films that invites conversation not because it shocked the mainstream but because it quietly interrogates the thin line between pleasure and peril. Released in 2012, the film positions itself as a cautionary tale disguised as a slice-of-life drama — a study in human impulses, social pressures, and how casual choices can escalate into life-altering consequences. Premise and Structure FCBDST follows multiple interlinked characters whose pursuit of enjoyment—romantic, recreational, or aspirational—becomes the axis around which the narrative spins. Rather than a single protagonist, the film uses an ensemble approach to depict everyday scenarios (parties, flirtations, thrill-seeking, small-scale criminality) that gradually reveal how seemingly trivial decisions compound into danger.
Fun - Can Be Dangerous Sometimes 2012 Hindi Movie -
Dialogue occasionally leans into regional slang and cultural specifics, grounding the story in its Hindi-speaking milieu. The film uses silence and implication effectively; some of the most powerful beats are wordless. In the early 2010s India, urban youth culture was rapidly evolving—greater disposable income, nightlife growth, and the rise of social media changed how pleasure was sought and displayed. FCBDST taps into anxieties about that transition: the erosion of traditional checks, the glamorization of risk, and the fragile infrastructures (legal, familial, social) that fail when things go wrong.
“Fun — Can Be Dangerous Sometimes” (FCBDST) is one of those independent Hindi films that invites conversation not because it shocked the mainstream but because it quietly interrogates the thin line between pleasure and peril. Released in 2012, the film positions itself as a cautionary tale disguised as a slice-of-life drama — a study in human impulses, social pressures, and how casual choices can escalate into life-altering consequences. Premise and Structure FCBDST follows multiple interlinked characters whose pursuit of enjoyment—romantic, recreational, or aspirational—becomes the axis around which the narrative spins. Rather than a single protagonist, the film uses an ensemble approach to depict everyday scenarios (parties, flirtations, thrill-seeking, small-scale criminality) that gradually reveal how seemingly trivial decisions compound into danger. Fun - Can Be Dangerous Sometimes 2012 Hindi Movie
This could have to do with the pathing policy as well. The default SATP rule is likely going to be using MRU (most recently used) pathing policy for new devices, which only uses one of the available paths. Ideally they would be using Round Robin, which has an IOPs limit setting. That setting is 1000 by default I believe (would need to double check that), meaning that it sends 1000 IOPs down path 1, then 1000 IOPs down path 2, etc. That’s why the pathing policy could be at play.
To your question, having one path down is causing this logging to occur. Yes, it’s total possible if that path that went down is using MRU or RR with an IOPs limit of 1000, that when it goes down you’ll hit that 16 second HB timeout before nmp switches over to the next path.